In Moving Image Review & Art Journal, volume 12 (2023), issue 1, pp. 9-21.
Category Archives: Visual Culture, Photography, and Film
“A View from the Future: Feminist Artists, Scholars, and Activists Turn to Science Fiction to Address the Climate Crisis.”
Eds., Lesley Shipley and Mey-Yen Moriuchi. Art and Activism in the Twenty-first Century. New York: Routledge, 2023.
Here’s a link to where to order the book: https://www.taylorfrancis.com/books/edit/10.4324/9781003159698/routledge-companion-art-activism-twenty-first-century-lesley-shipley-mey-yen-moriuchi
“At Memory’s Edge: Climate Trauma in the Arctic Through Film.”
Eds., Subhankar Banerjee, TJ Demos and Emily Eliza Scott. The Routledge Companion to Contemporary Art, Visual Culture and Climate Change. Routledge, London, 2021, 194-203.
“Planetary Precarity and feminist environmental art practices in Antarctica.”
Janet Wilson. Journal of Postcolonial Writing (Taylor and Francis), Volume 56, Issue 3, August 2020.
“About Things Loved: Blackness and Belonging.”
Exhibition Review of an exhibition at the Berkeley Art Museum. Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 2019.
“Forest Law: Exhibition Review of Ursula Biemann and Paulo Tavares, the Mary Porter Sesnon Art Gallery.”
Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. February 8, 2019.
“Archives of Knowledge and Endangered Objects in the Anthropocene: From Chernobyl to Polar Landscapes in the Work of Lina Selander and Amy Balkin.”
Eds., Susi K. Frank, Kjetil A. Jacobsen, Arctic Archives: Ice, Memory and Entropy. New York: Columbia University Press, 2019, 269-284.
“Martha Rosler and Hito Steyerl: War Games.”
Exhibition Review, Kunstmueum-Gegenwart, (Basel, Switzerland).” Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture. September 4, 2018.
“Hauntological Environmental Art: The Photographic Frame and the Nuclear After-Life of Chernobyl in Lina Selander’s “Lenin’s Lamp.”
Eds., Lisa Cartwright and Elizabeth Wolfson. Journal of Visual Culture. Special issue titled “Affect at the Limits of Photography.” Fall, 2018.