In ed., Amelia Jones Feminism and Visual Culture, 2nd edition, London: Routledge, 2010: 14-18.
Category Archives: Feminist Art History
“Tableaux Vivants, Dying Empires: Eleanor Antin’s The Last Days of Pompeii, Roman Allegories and Helen’s Odyssey (2001-2007).”
Special issue on “Material Histories.” n.paradoxa: international feminist art journal, volume 24, July 2009: 13-2.
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“Ghosts of Ethnicity: Jewish Identities in American Feminist Art.”
In Daniel Rosenberg, Practicing Jews: Art, Identity and Culture. University of Wisconsin, Madison, 2009).
“Introduction.”
To The Scholar and the Feminist Online: Special Issue ‘Gender On Ice,’ with L. Bloom, written in collaboration with E. Glasberg and L. Kay. (7.1: Fall 2008).
“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”
In The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).
“Barbies’ Jewish Roots: Jewish Women’s Bodies and Feminist Art.”
Nathan Abrams (ed.) Jews and Sex, London, Nottingham: Five Leaves, 2008: 121-137.
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“The Contradictory Circulation of Fine Art and Antiques on eBay.”
In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley. Routledge, New York, 2006: 231-244.
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“Creating Transnational Women’s Art Communities in Asia.”
In Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21
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“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”
The Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.
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