To The Scholar and the Feminist Online: Special Issue ‘Gender On Ice,’ with L. Bloom, written in collaboration with E. Glasberg and L. Kay. (7.1: Fall 2008).
Category Archives: Articles
“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”
In The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).
“Barbies’ Jewish Roots: Jewish Women’s Bodies and Feminist Art.”
Nathan Abrams (ed.) Jews and Sex, London, Nottingham: Five Leaves, 2008: 121-137.
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“The Contradictory Circulation of Fine Art and Antiques on eBay.”
In Everyday eBay: Culture, Collecting, and Desire, eds. Ken Hillis, Michel Petit with Nathan Scott Epley. Routledge, New York, 2006: 231-244.
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“True North: Isaac Julien’s Aesthetic Wager.”
Republished in German and English in Isaac Julien: True north: Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006: 42-45.
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“True North: Isaac Julien’s Aesthetic Wager.”
In Isaac Julien: True North. Mak Center for Art and Architecture and the Museum of Contemporary Art, Miami, 2005: 7-15.
“Creating Transnational Women’s Art Communities in Asia.”
In Amelia Jones, The Feminism and Visual Culture Reader. London: Routledge, 2003: 18-21
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“Gender, Race and Nation in Japanese Contemporary Art and Criticism.”
The Visual Culture Reader, ed. Nicholas Mirzoeff. London: Routledge, 2002: 215-226.
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“Reviewing 1970s and 1980s Feminist Art Practices in the 1990s: Three Major Exhibitions on Judy Chicago, Eleanor Antin and Martha Rosier.”
See my introductory remarks to the College Art Association panel that I chaired in February 2001 and presentations by panelists Alison Rowley, Lucy Sautter, Catherine Caesar, Ruth Wallen, and discussant Alex Alberro. In n.paradoxa: international feminist art journal, issue 14, February 2001.
“Defining Experiences: Feminist Exhibitions in the 1990s.”
ln September 2000, n.paradoxa asked a number of artists, critics and curators for a short quote or statement in response to the questions below: What is your most memorable experience of a feminist/ women's art exhibition in the past 10 years and why? Did it challenge or change your understanding of feminism? In n.paradoxa: international feminist art journal, issue 13, September 2000.