Published for the Winter Event – Antifreeze, published in Art and Theory, Stockholm, Sweden, 2014: 127-133.
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Category Archives: Art Reviews (Exhibition Catalogs)
“Connie Samaras’ Futures in Extreme Environments: Toward a New Aesthetics of Daily Life and Survival.”
For the exhibition catalogue edited by Irene Tastsos, Connie Samaras: Tales of Tomorrow. DAP Press, 2013: 82-86.
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“Extreme Temperatures: The Work of Nathalie Talec.”
For the exhibition catalogue: Nathalie Talec: The One Who Sees Blindly, Yerba Buena Center, San Francisco, April, 2012.
“Disappearing Ice and Missing Data: Visual Culture of the Polar Regions and Global Warming.”
Written in collaboration with Elena Glasberg. In eds., Andrea Polli and Jane Marsching, Far Fields: Digital Culture, Climate Change, and the Poles, Intellect Press, 2012: 119-141.
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“Polar Fantasies and Aesthetics in the Work of Isaac Julien, True North and Fantôme Afrique.”
Catalogue for the Retrospective of Isaac Julien, Associação Cultural Videobrasil, Sao Paulo, Brazil, 2012: 92-129.
“Connie Samaras, “After the American Century.”
For the exhibition catalogue: Connie Samaras: built environments, speculative landscapes, and consumer excesses of Dubai, United Arab Emirates, the University of California, Riverside, California Museum of Photography, February 2011.
“What Keeps Mankind Alive?”
11th Istanbul Biennial (12 Setp-8 Nov 2009). Written in collaboration with Betti-Sue Hertz. n.paradoxa: international feminist art journal, volume 25, July 2010: 16-20.
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“Arctic Spaces: Politics and Aesthetics in Gender on Ice and True North.”
Nka: Journal of Contemporary African Art, issue 26, Spring 2010: 30-37.
“Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions.”
Written in collaboration with Elena Glasberg. Media N-Journal, the Journal of the New Media Caucus, College Art Associate Affiliate Society, Vol. 6, No,1, Spring, 2010.
Online here
“Negotiating Feminisms in Contemporary Asian Women’s Art.”
In ed., Amelia Jones Feminism and Visual Culture, 2nd edition, London: Routledge, 2010: 14-18.