“Extreme Temperatures: The Work of Nathalie Talec.”
For the exhibition catalogue: Nathalie Talec: The One Who Sees Blindly, Yerba Buena Center, San Francisco, April, 2012.
“Disappearing Ice and Missing Data: Visual Culture of the Polar Regions and Global Warming.”
Written in collaboration with Elena Glasberg. In eds., Andrea Polli and Jane Marsching, Far Fields: Digital Culture, Climate Change, and the Poles, Intellect Press, 2012: 119-141.
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“Polar Fantasies and Aesthetics in the Work of Isaac Julien, True North and Fantôme Afrique.”
Catalogue for the Retrospective of Isaac Julien, Associação Cultural Videobrasil, Sao Paulo, Brazil, 2012: 92-129.
“Arctic Spaces: Politics and Aesthetics in Gender on Ice and True North.”
Nka: Journal of Contemporary African Art, issue 26, Spring 2010: 30-37.
“Disappearing Ice and Missing Data: Climate Change in the Visual Culture of the Polar Regions.”
Written in collaboration with Elena Glasberg. Media N-Journal, the Journal of the New Media Caucus, College Art Associate Affiliate Society, Vol. 6, No,1, Spring, 2010.
Online here
“Introduction.”
To The Scholar and the Feminist Online: Special Issue ‘Gender On Ice,’ with L. Bloom, written in collaboration with E. Glasberg and L. Kay. (7.1: Fall 2008).
“Polar Fantasies and Aesthetics in the Work of Isaac Julien and Connie Samaras.”
In The Scholar and the Feminist (Barnard Center for Research on Women, New York City, Issue 7.1: Fall 2008).
“True North: Isaac Julien’s Aesthetic Wager.”
Republished in German and English in Isaac Julien: True north: Fantôme Afrique, edited by Veit Görner and Eveline Bernasconi : [Distributed in North America by] D.A.P., Distributed Art Publishers, 2006: 42-45.
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“True North: Isaac Julien’s Aesthetic Wager.”
In Isaac Julien: True North. Mak Center for Art and Architecture and the Museum of Contemporary Art, Miami, 2005: 7-15.
“Gender, Race, and Nation in Japanese Contemporary Art Criticism.”
The Bulletin of the Graduate School of Josai International University. No. 4, March 2000, 87-99.